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Tuning, Intonation, And The Saxophone

June 2nd, 2008

Playing your saxophone in tune with others in your band requires much more than simply playing a reference note into a tuner and adjusting the mouthpiece on the instrument. In order to really understand the tuning process and how best to tune your saxophone it helps to know the physics behind the sound that you produce while playing. When we are talking about physics and the saxophone we are dealing in the realm of invisible vibrations called sound waves.

To better understand these sound waves it helps to think about a guitar string. When you pluck a note on a guitar the string vibrates at a specific rate or “frequency.” The length of this string dictates what frequency the string will vibrate at. By moving your finger up and down the fretboard you can change the pitch to any of a dozen or so pitches. Now think about a fretless guitar. Instead of a dozen pitches you could potentially have hundreds of pitches, each very slightly different that the other. Saxphones behave in this same way but use a vibrating column of air instead of a vibrating string.

When you add or subtract fingers on the saxophone you are changing the overall length of the tube, creating shorter or longer sound waves in the process. Many things can affect this resultant wave. A key that is not adjusted properly can partially close over an open hole causing all notes above that key to be slightly flat. Likewise a key that is left open when it should be closed can make other notes out of tune or at the very least sound less focused.

Two saxophones that are not perfectly tuned to each other will always vibrate at different frequencies even when playing the same note. When two sound waves of the exact same frequency are played together they reinforce each other creating a stronger, more pleasing overall sound. When two pitches are slightly out of tune they occasionally collide with each other causing a disturbance in the combined wave form. This phenomena creates audible “beats” or bumps in what the listener hears. Each bump in the combined sound is literally the two sound waves slamming into each other. It is often easier to understand this process by seeing it visually. Take a look at the examples shown at http://library.thinkquest.org/19537/Physics.html.

As a saxophone player it should be your goal to learn how to play your instrument in perfect tune. Unfortunately this requires more than simply tuning your concert A or B-flat. Now that you know a little about the physics of sound however, you can begin to understand the inherent pitch problems of your saxophone and relate this to your overall performance and study routine.

Chad Criswell is an accomplished Iowa music educator. He hosts a web site dedicated specifically to music education topics of interest to students, parents, and teachers located at www.musicedmagic.com. He is also the music appreciation editor for musicappreciation.suite101.com.

Where to Buy Concert Tickets?

May 25th, 2008

How to Buy Concert Tickets.

There are several ways to get tickets to see your favorite artist or band in concert when they visit your area or even in a city across the country. Some ways include the old fashion way of standing in line at the box office, but some of the best ways are on the internet.

The first step is finding out when and where the event will take place. To find information on upcoming concerts there are several great sources on the internet such as pollstar.com, livedaily.com and citysearch.com. Also many bands, theatres and venues have websites where you can subscribe to a mail list that will keep you up to date. The major box office websites such as Ticketmaster and Tickets.com are so have list you may join and do not forget the old fashion way of listen for announcements on your favorite radio stations. Many stations have online websites where you may sign up to receive email notifications of upcoming shows.

Tickets for most concerts are in high demand. Most shows sell out in a couple of days and some sell out in minutes. So how do you get the best tickets?

If the artist or band has a fan club, consider joining it. Many fan clubs will hold presales and make tickets available to club members first. Even this is not a grantee of getting the best tickets and you still may not get any tickets. Most fan club presales have a set allotment of tickets for any show, generally less than 10% of the ticket.

Radio stations may also sponsor presales for the show. Once again you will need to sign up for information at the stations website. Just like the fan club presale there are only a limited number of tickets available.

Many theatres, venues and concert promoters also have special clubs you may join that give you the privilege of buying tickets before they go on sale to the general public. Once again only a small number of tickets are available to these members, so just being a member is not a grantee of getting tickets. Also these memberships can cost hundreds and even thousands of dollars, plus there are generally additional services fees added to the cost of the tickets.

Another way of getting tickets is to buy season tickets. Many theatres and venues sell season tickets. This is the most expensive way of obtaining tickets. Season tickets can cost $5,000, $10,000, $12,000 or more due to the fact that you are buying the same ticket for every show at that theatre.

If you had no luck getting tickets in any of the previous ways there is always the general public sale. You can find the date of this by the artist website or fan club, the theatre website, radio stations, newspaper or special sites like pollstar.com. All remaining tickets, that have not been sold during any of the presales or given to radio stations for promotional purpose, will be sold during this sale. You can generally purchase ticket during this sale by one of three ways. You can buy tickets online, by telephone of at the box office or at a box office outlet. Tickets go on sale at all three places at the same time, and all three are selling tickets from the same pool.

So what to do if after all of this you still have no tickets because the show sold out to fast or you missed the sale. Can you still get tickets? Yes, tickets are still possible. There are five primary ways of obtaining tickets after a show has sold out, or getting the better seats. Ticket prices will generally be higher, due to the free market the holder of tickets may sell at any price they wish. This price is general determined by the popularity of the event, amount of tickets available and the demand of the tickets.

One of these ways is to visit websites like Stubhub that lets fans and season tickets holders sell their tickets. Be advised that Stubhub will add a service fee of 10% to the purchase price of the tickets.

Ebay also has a great deal of tickets being offered for sale. Once again these tickets are being sold by individuals who may ask any price the wish. Most tickets sold on Ebay are sold buy auction, where the price is determined by the highest bidder.

You may also check your local newspaper or online classified sites. Many of these have sections where tickets maybe sold.

Probably the best and most reliable source for tickets besides the box office is TICKET BROKERS. Ticket brokers like www.perfectseats.com, www.ticketbulldog.com and www.bluefishtickets.com have a large selection of tickets for you to choose from. Ticket brokers also have a well informed and trained staff that can assist you during your ticket purchase to ensure you are getting the best tickets for your needs. Also if any problems should arise with you purchase, they will be there to help and they grantee all tickets they sell.

The worst way to purchase tickets for an event is from a ticket scalper on the street out side of the theatre. There are many problems with buying tickets this way. One the tickets maybe counterfeit or stolen and you will not be allowed into the venue. Two, in many cities this is illegal and the person selling you the tickets may be an undercover policeman. In either way you will miss the concert and maybe out of the money you spent to purchase the tickets.

Likewise buying ticket through Ebay of the classifieds have some of the same problems. The tickets could be stolen, counterfeit, or in the case of tickfast tickets sold to more than one person. In any of these cases you are going to miss the show and be out of your money with no where to turn because the person who sold you the tickets can not be found.

We hope that you find these tips helpful and enjoy the show!

For the best in Concert tickets,
sports tickets and theatre tickets go to
http://www.perfectseats.com

Home-Cooked Symphony Concert

May 24th, 2008

A hand shot up out of the audience and waved emphatically, attempting to catch the celebrity’s attention. The spotlit fiddler peered out into the darkness and candidly asked, “Do I know you? Am I related to you?”

The whole room burst into laughter and I felt like I was right there with Natalie MacMaster in her kitchen enjoying a homespun “ceilidh,” (pronounced “kay-lee”) Celtic dance.

This “kitchen” had a world-famous celebrity, a top-notch symphony orchestra and over 450 paying guests at $40 each, but that’s beside the point. It was still Natalie’s kitchen.

She went on to tune her violin patiently, though hundreds of eyes watched anxiously. Perhaps she sensed the urgency when she joked that her tuning was, “Close enough for Celtic,” and the room chuckled again. Then this sweet, down-to-earth gal from Cape Breton Island picked up her fiddle and the “kitchen” went up in flames! There wasn’t a foot within earshot that could resist tapping to her phenomenal playing and dancing.

Earshot, but not eyeshot. Unfortunately, most of the audience could only see the virtuoso from the waist-up due to the level seating arrangement of the hall. Natalie’s legendary clicks and clacks of tap shoes on the hollow stage stirred me to leave my seat and watch the entire concert from the side aisle. Soon after standing, I ran back to my aisle to fetch my young violin students, who were too short to catch the fancy footwork from their seats.

In true Celtic tradition, our quiet observation from the sidelines grew into louder foot stomping, which rapidly escalated into energetic circle dancing and jigs. Natalie’s own dancing featured high kicks, quick spins and rhythmic tap dancing. As the show progressed, her traditional Scottish step dancing morphed into groovy modern hip-hop and disco moves, including the notorious and difficult “Moonwalk!”

Much to my surprise and delight, the music also went through a breathtaking metamorphosis. The concert started with traditional Celtic melodies played by the silky string sections of the symphony. Next was a Cape Breton fiddle tune in A major, what Natalie called the “Canadian key.”

After such traditional pieces, we learned that she was more multifaceted than imaginable. From a Latin mix to the gorgeous jazz ballad, “Autumn Leaves,” we were all captivated by her versatility.

Concertmaster of the Okanagan Symphony, Denis Letourneau, was as mesmerized as the audience was! The classical virtuoso beamed from ear to ear and repeatedly shook his head in awe and admiration of Natalie’s fiddling fireworks. Then he contributed to the pyrotechnics when he joined Natalie for a musical goulash where “fiddling met violining.” Their duet blended the popular fiddle tune “Devil’s Dream” with the intricate Bach Violin Partida in E!

“Denis, we have an expression back in Cape Breton,” said Natalie afterwards, “When we really dig in, we say we were ‘driving ‘er.’ Now you can go home and say last night you were really ‘driving ‘er!” Denis blushed. Natalie smiled. We all felt two worlds converge and it felt wonderful.

As our cultures blend, I think we’ll be seeing a lot more “Traditional fusion” in music. Diverse forms of music, polar as they may seem now, will soon merge and create new genres that people of all ages and walks of life can appreciate. Put a symphony orchestra, a fiddler, a funk band and a bagpiper playing on stage at the same time and everyone from Grandma to the teenager with the spiked hair will approve.

There will be growing pains, naturally. As in Natalie’s concert, there will be an obvious polarity in the audience in deciding proper concert protocol. Some people at the concert didn’t know whether get up and dance in the aisles, or to be content in sitting in quiet appreciation. Like any pioneers, we’ll find a middle ground that works for everyone. Heck, a friend of mine once created “seated dancing” in such an awkward situation.

Natalie’s charm and talent, coupled with her obvious love of music, were enough to inspire me and several other violinists present to explore new avenues of expression and technique. I couldn’t wait to get home to try some of the things she showed us so flawlessly that night.

Natalie provided further inspiration when she agreed to sign fiddles my students had brought with them. Then she stood, weary and tired, but smiling enthusiastically for group photographs with me and my fiddle students.

My students, young and old, talked about Natalie’s concert for weeks and have found a role model who will guide them into wonderful new directions.

Thank you, Natalie. You are one amazing Canadian pioneer and we love you for it!

**Rhiannon Schmitt (nee Nachbaur) is a professional violinist and music teacher who has enjoyed creative writing for years.

She currently writes columns for two Canadian publications and has been featured in Australia’s “Music Teacher Magazine.” Writing allows her to teach people that the world of music is as fun as you spin it to be!

Rhiannon, age 29, has worn the hats of businesswoman, performer, events promoter, classical music radio host and school orchestra music arranger in rural British Columbia, Canada.

Her business, Fiddleheads Violin School & Shop, has won several distinguished young entrepreneur business awards for her commitment to excellence. Her shop offers beginner to professional level instruments, accessories and supplies for very reasonable prices: Visit http://www.fiddleheads.ca

Rhiannon is also Founding President of the Shuswap Violin Society which promotes violin & fiddle music and helps young musicians in need: http://www.violinsociety.ca

Rhiannon Schmitt - EzineArticles Expert Author

Sing Me A Love Song On This Valentine’s Day

April 27th, 2008

What makes a great love song? The truth is, a songwriter didn’t compose a great love song, a singer didn’t sing a great love song, but the ones who listen to it make it great, especially when two twine together as one - a romance. We, therefore, are the ones who pick it one in “Top 10 love songs” or “Best love songs ever.”

Even my ex-boyfriend and I used to have that as our song - “Lover, I don’t have to love” by Bright Eyes. It seemed foolish because its song title, lyrics, and even melody are bittersweet and melancholy. We didn’t understand why we were listening to this song over and over, maybe just because we both found it a remarkable rhythm at that time. However, love don’t live here anymore. Now I have to forget the sad tune, find myself a new squeeze who sings me a new “our song.”

Ah, Valentine’s Day! Every February 14, and during the weeks leading to this day, couples send beautiful flowers, meaningful cards, and sweet chocolates to their darlings and explore their romantic sides. And a perfect dreamy night with serene melodies is the norm. So, sing me a love song and be my Valentine! When your sweetheart comes to say this to you, what song will you choose? There’s no better time than Valentine’s Day to turn our musical choices passionate.

Recently, I’ve heard some wonderful love tracks. So, narrowing down my list to just 10 “best of” tunes took a lot of thought. If you don’t find your favorites here, send me an email at kittykitcoldplay@yahoo.com. Now, cool off and sit awhile with me, and read some exciting stuffs about my picks of 10 romantic songs for Valentine’s Day:

1) You And Me (Lifehouse)
It makes my heart melt. There is a sense of peacefulness every time I hear this song. Such a melodious and gifted voice! All in all this is a true gem.

2) The Other Side of the World (KT Tunstall)
This nice radiopop is well crafted and remarkable. What I mean is that I keep remembering this song because I like the way she sings and phrases. A sparkling new singer-songwriter.

3) The Scientist (Coldplay)
The song is beautifully crafted and the unprocessed passion in Martin’s voice is almost heartbreaking. The best love song yet! An incredibly moving song!

4) You’re Beautiful (James Blunt)
Just beautiful tune! This piece means so much to me and although I’ve heard it many times I still enjoy listening even now. A unique voice that really stands out.

5) Smooth (Santana featuring Rob Thomas)
This has a nice Santana feel. This smooth song rocks. This awesome Latin song is just sensual and also great to dance with.

6) Wherever You Will Go (The Calling)
If I could make you mine, I’ll go wherever you will go. Thumbs up for the melody.

7) If I Thought You’d Ever Change Your Mind (Agnetha Faltskog)
“And in the winter snow, my songs would keep you from the cold.” The lyrics are soooooooo nice and so is the voice of ABBA. It’s totally enjoyable to hear her crystal clear pure sound once again.

8) Crazy In Love (Eminem)
Love the title and love the song! And oh, the lyrics! Slim Shady finally created a non-classic-rap. It sounds like a poem “You are the meaning of my existence, “You’re essential to me, You’re the air I breathe, I believe if you ever leave me, I’d probably have no reason to be.”

9) The Look Of Love (Diana Krall)
The look of love sees the invisible in the visible and the sound of love is smooth. A gorgeous love song. A cuddle by the fireside with the one you love.

10) When You Tell Me That You Love Me (Westlife featuring Diana Ross)
Westlife is back to raise you up with a new cover of a famous song. Moreover, this song is a nice comeback to the pop ballads that made them well known. Just tell your honey that you adore her or him with this cute tune.

Why don’t you make your own love song CD with “our song” as a special gift for your significant other on this special occasion? You might want to visit another collection of Top love songs at http://www.audio4fun.com/lovesongcd.htm. They are offering full-length downloads of all tracks in the CD.

Louise shares an MP3 selection of best-ever love songs at http://www.audio4fun.com/lovesongcd.htm in recognition that you guys who are in love need to find “our song” for this Valentine’s Day.

Pianos Need Tender Loving Care Too

April 17th, 2008

Pianos have several thousand parts (8,000-12,000) and many of those parts are moving parts. To keep all the parts in good working order, pianos need regular care.

During the first year of a piano’s life it’s suggested to have it serviced two to four times. Then talk to your piano technician to decide what frequency to continue service at. Usually twice a year after the first year is recommended, but sometimes once a year is enough. Servicing includes having the piano tuned, regulated as needed, voiced as needed, and eventually having worn parts repaired or replaced as needed (

D Ruplinger is a featured writer for www.pianoscentral.com For more information about pianos, piano tuning, and piano restoration visit www.pianoscentral.com.

Moraira Music Festival Kicks off in Style

April 3rd, 2008

It is one year ago since I reviewed the 2nd Moraira music festival. At that time the comments were overall it was ok but the sound let the whole show down. You may remember there was a couple of running debates ensued.

So Sunday 4th July 2006 saw the 3rd Moraira music festival with a different line up of sorts and a professional sound system. But would it be enough to make the difference or would this be another let down.

We got there at 7:45 and unfortunately missed the first band “Manhattan Jazz” -the festival started on time - a commendable start. The first thing that we noticed was the complete difference in sound, it was almost crystal clear, balanced and sounded like the person behind the desk actually knew what he was doing - it makes such a difference and it showed. There were times throughout the evening when the sound peaked (and it wasn’t just when Anthony Rivers was playing - sorry Ant had to get that in after your comment on the night) but overall it was a marked improvement

A very welcome diversion to the events was the appearance on stage of none other than Terry Bennett - his first live performance since his stroke. Although he didn’t sing, our hearts go out to him and we hope it isn’t too long before he is back - it must be frustrating to be sitting by watching, knowing you want t be up there but can’t at present. Good luck Terry on your recovery.

So onto the music.

First up was Mahanttan Jazz, This is a 5 piece jazz band who play traditional jazz and swing. We didn’t get to hear them as we were late, but I am reliably informed they were excellent - and who am I to doubt it. It would also be unfair not to mention them just because we didn’t get there in time.

Next up was Izzy - star of last years show. This year she brought her newly formed Rock Skool academy of kids ranging from 6-16 years old. Izzy has an absolutely amazing voice and it is easy to see why her concerts are sell outs. She started the evening off with an Aria from Madame butterfly and it made your hair stand on end.

Throughout the set (she was on 2 times) she did a couple of her own songs which are an eclectic mix of Rhythmic dance and opera - think Opera meets Ibiza. Imagine you have a dance track and this beautiful Soprano voice comes in over the top of it - perfect. This lady has class written all over her. On stage with Izzy were her troop from the Rock Skool.

One young lady - I believe she was called Amy, (I apologise for my lack of research but this article is being written at 2 in the morning and I didn’t have time to ask her name) sang a song she wrote herself called Guardian Angel. A song written about a friend of hers who sadly passed away last year. Full of emotion and delivered with excellence - she has obviously learnt a lot from her teacher.

Well done to Izzy and her crew they gave an excellent performance - and most of these kids were younger than ten. Future stars in the making.

Next on were our old favourites - Zodica Duo. Keith and Gary form this vocal duo who play a range of hit songs that people can get up and dance. Their flamboyant style soon got the crowds going. This year I am happy to say that the backing tracks sounded much better.

The boys themselves did an excellent job of entertaining the crowds. For pure entertainment value they are worth hiring for your venue - they have a good following and will get the audience moving. Well done Zodiac. By the way Keith and Gary are selling their house so if you want to buy a piece of local history and grab a bargain celebrity pad then now is your chance - I am sure it wont be long before it goes. Good luck gents.

Next up was our daddy of them all Tony (complete with bus pass) and son Anthony Rivers. Playing a mix of songs from the 60’s right through to today, Tony and Anthony can be mediocre sometimes and excellent at others. Tonight they were on form - especially with James Blunts “You’re Beautiful” which Ant sung with great emotion.

This is another one of those songs that you would think was written specially for him. Where these boys really come into their own is the vocal harmonies, They specialise in songs from Simon and Garfunkel, the beach boys and other great tunes. And although on the night one of the songs didn’t come out right from where I was standing nevertheless they made up for it with the rest of their show.

Overall a good performance from Tony and Ant, and well worth going to see at one of the many venues they frequent in the area.

Next - stage door performing arts. Based in Benitachell they performed a range of Abba songs. Again there were many children on stage along with adults and this was a singalong to Abba tunes. It was great to see the kids enjoying themselves - especially the two little devils at the right hand end of the stage who seemed to have their own style and way of doing things. The act themselves were good and sang well.

Roll on - Wayne Horne and the Hornets. Musically they are good - they play Rock and Roll with music from the likes of Eddie Cochrane Elvis Presley and so on. However what I found strange was that the singer never opened his mouth in between songs - this was left to the guitarist. Little point in having a shy front man. This was another of those bands that do not grab the attention and left you feeling cold. They are technically good but lacked any sort of passion and certainly made no attempt to entertain. Billed as the Rock and Roll band of the Costa Blanca - I shudder to think what lesser bands are like. One I think I will miss out on.

And on to the next act Theatre Express - which was based on students of the classes of Theatre Express based in Javea. They performed to theatre classics and two particular performers shone out. Voices like Angels when they did their solo performances. Very lifting indeed.

Next we had Double Impact taking up the graveyard shift - the last but one act -consisting of Ian Henry and Terry Jae. They started off with “We Will Rock You” and continued with such classics as “Mustang Sally”, “Young Hearts” , “That’s the Way I like it”. But the highlight of their show had to be when Terri did her rendition of Whitney Houston’s “I will always Love You”. Absolutely amazing and this one sent shivers down your spine. Terri really has got a fantastic voice. As an act Double Impact are good with a mix of wit and entertainment and they also managed to keep the crowds going when everyone was tired and wanting to go home.

Finally we had Calpe Rock - a four piece Spanglish band from somewhere on the Costa Blanca. They started off with “I feel fine” but by this time I was very tired and to be honest this was another band that didn’t grab me or make me want to stay around, so I left. They may well have been great later on - but it didn’t show through. As musicians they were fine - no notes out of place, but there was really no audience participation or any passion. This could be unfair as I said I didn’t stay ill the end.

So overall was it worth going to see?

Yes it was.

There was a marked improvement on last year. The sound was a lot better than before and the difference in having a professional set up was very clear. It is also clear a lot of effort went into trying to make this a success and credit should go to Eric Taylor and Dodge - and all those who helped to organise this - the operation wnet smoothly and this time it ran like clockwork. The audience enjoyed it for the most part and although reluctant at first to get up and dance - once started there was no stopping them.

However on the downside I think that having choir music and theatre music may have been politically correct choices perhaps, there was a little too much kid power - especially given the time that these kids were on at. Also we were promised more “Live” type of acts which didn’t materialise.

I am aware though that some of the booked acts decided not to play for financial reasons - which is a great shame - and shame on you Chloe Elena especially as you were headlining, but perhaps it is about time that the Moraira Music Festival found a good sized sponsor to support the efforts of those involved who really do a thankless task .

Then perhaps there will be more live music acts on - and pay the artists a going rate. From what I understand the Teulada Town Hall were boasting that they had put some 130,000 into the pot - so surely they can divert a small proportion of that to go towards what could easily be a top draw for local artists in years to come.

Finally it’s a shame that Janet and Billy Brink were missing this year as I feel they would have made a welcome addition - but apparently they were surplus to requirements. When I saw Janet she told me that I had got her sacked because of my comments last year. Although tongue in cheek I wonder how true this was - Eric please feel free to comment. Whatever I may have said about her singing Pink Floyd songs they are still a good act to entertain the crowds - and one thing we were sadly missing in my humble opinion this year was lead solos. Don’t need them for every act but one or two would have been nice.

Other than that though sterling effort all round. It was enjoyed by most if not all. It had its high points and its low points - but this is certainly a step in the right direction. Well done to the organisers, the artists, the bar, the local restaurants who helped out by allowing us to use their toilet facilities, an dof course a big well done to all of you who attended to make it a great night out!!

Good luck and until next time - Keep it Live!

Vince Barnes is the owner of http://www.SpanishProperty-Direct.co.uk - a website aimed at informing buyers about the process of buying in Spain and keeping up to date with news and regulations affecting the Spanish Property Market. He has also just published the book - “The Insiders Secret Guide To Buying A Property In Spain” Download it free at http://www.spanishproperty-direct.co.uk/book.htm

Vince Barnes - EzineArticles Expert Author

View From the Stage: Charity and Good Good Vibrations

March 28th, 2008

The sensational portion of Mississippi Delta region is not the sniper guy running through the empty buildings. Nor is it the Government’s delayed initial responseor exactly who is responsible. Or why.

It’s the reaching out of soul to soul.

If you read between the lines of what a tragedy it it is, you find stories that make the spirit soar. Most folks that I know feel a sense of responsibility toward those whose family, and homes were devastated by Hurricane Katrina. And so it is these days that people look upon the homeless; the hurt and lost with compassionreaching into their hearts and pocket books in an attempt to help that which can never be truly healed.

At the g-man household all the kids are pitching inand I really mean it. Little Rosie is attempting to give away her top shelf toysnot the junky-missing-a-piece-or-two-stuff but her very best-and-favorite toys. Not Barney thoughno way! No telling what that would cost me on Ebay at 2am with a crying child at my knee!

Kids running boxes down the stairs. The whoosh! of a tape gun. Slamming car doors. We loaded the gman Blues mobile to the roof with boxes and boxes of clothes, toys, furniture, and other necessities and started making drops. The feeling was wonderful! Everyone had this pitch-in gladly attitude. I tell you…

Well originally this road report was going to be about my first time on the radio. This week I played at a bar in the city and a local station unexpectedly showed up to do a live remote. “Play a good one” they told me “you’re on the air!”
It’s a dream that most of us rock guys haveto hear themselves on the radio. I thought that I’d tell the entire world about it the first time it happened to me. But instead I only told my manager. There is a lot more going on than gman on the airwaves right now. I guess I felt good about it, but not nearly as good as I did loading the truck today. Maybe I’ll put off any celebration until we get this humanitarian work done. Maybe I’ll never get back on the radiobut I bet I will!

In a way these are exciting times. I’m really stoked up about the Woodstock Katrina Relief Concert. If you are in that areayou should be as well. It’s going to be big and wonderful. It’s going to help a lot of peopleyou bet.

Copyright (c)2005 Gary Wesselhoff

Gary Wesselhoff - EzineArticles Expert Author

Gary “g-man” Wesselhoff is an acoustic blues writer/performer woking the Chicago Metro area. You can contact him at: gman@gmanblues.com

Please Visit my site: http://www.gmanblues.com

Horror Stories (Playlist)

March 12th, 2008

This is the perfect playlist for HALLOWEEN!

I figured these tracks would work great for this time of year
when everyone gets dressed up and goes out to parties or trick
or treating. I figured a mostly electronica mix would work great
so this is what I have come up with.

I start things off with The Hacker of Miss Kittin and The Hacker
fame. It’s a great spooky, dark track of minimal electro sounds
that The Hacker is known for. The album comes off of his latest
release Reves Mecanique. Those of you who are Miss Kittin fans
can also find a track that she guests on.

I then head off to the Campy Industrial sounds of My Life With
The Thrill Kill Kult. This track comes off of the Confessions Of
A Knife album and it’s a great track in this mix. It works
perfectly as it has the sampled sounds of movies. Next up is
Nightmare by Brainbug. This was a pretty big hit back in the
late 90’s in the club world. It’s got that great sample of a
classic Hollywood film soundtrack. It’s sounds great and it’s
very upbeat and energetic!

Next up I have a track from EON. What an awesome artist Ian
Loveday is as he had produced one of the most excellent
electronic releases of the 1990’s. Fear: The Mind Killer
(Original Mix With Beats) by Eon comes from the only great album
he put out called Void Dweller. The entire album samples
horror/sci-fi movie soundtracks like Dune and Basket Case. If
you haven’t checked out this album definitely find it and listen
to it as it’s a masterpiec! I then head off into Hip Hop
territory with Bloodsuckers by Spectre. Then right after that is
Killer’s Lullaby by Faithless remixed by Nightmares on Wax for a
more downbeat feel to it from the original.

I continue slowing things down a bit with some very minimal
creepy electronica tunes by Grace Period and Piana then kick
things right back up with the classic track Ghost Town by the
Specials and Help Me by Timo Maas featuring the fabulous Kelis.
This track is amazing as it samples the music from The Day The
Earth Stood Still while Kelis is singing Help Me.

I wanted to end this playlist with one of my favorite
Industro/New Wave/Techno Pop tracks of all time. Everyday Is
Halloween by Ministry. A great track that still sounds great
today. This track was released right before Ministry went on to
become the hardcore/thrash/punk musicians they became and
produced pretty crappy material. I’d much rather listen to these
earlier more electronic tracks of theirs like Work For Love,
Cold Life, Effigy and Everyday Is Halloween. Anyway that’s it
for this playlist as it clocks in at 78 minutes just enough to
fit a CD.

Have a Happy Halloween!!!

Horror Stories

Village Of The Damned by The Hacker

Rivers of Blood, Years of Darkness by My Life With The Thrill
Kill Kult

Nightmare (Sinister Strings Radio) by Brainbug

Fear: The Mind Killer (Original Mix With Beats) by Eon
Bloodsuckers by Spectre

Killer’s Lullaby (Nightmares On Wax Mix) by Faithless

Ghost In The Graveyard by Grace Period Monster by Piana

Zombie’ites by Transglobal Underground Blind Date With The Devil
by Quarks

Ghost Town (12″ Vers.) by The Specials Help Me (Featuring Kelis)
by Timo Maas

Satan Spawn (With Kirk Hammett) by Orbital Diablo (Devil Rides
Out Mix) by The Grid Everyday Is Halloween by Ministry

Calling on London’s Clubs

March 1st, 2008

London is famous for its party ambiance & everlasting lively nightlife. London is seething with after hours drinks & dance clubs and taverns of all sorts of sizes. From the beating stages of the massive spots to the loose, cosy DJ venues, the capital has experiences for both hardcore party goers & those people after a nice and peaceful drink to sup & a chat.

A handful of of the celebrated nights are best for die-hard party animals, persons that are enthusiastic about their nights out and the venues they delight in swinging by. Fabric is London’s authentic super club & remains in boasting some great and eclectic artists. With real speakers in the floor you are certain to never miss something in this club. Friday Fabric consistently contains stunning line-ups which people can party to till wee hours of the next morning, at which point people can go back for new gaiety on the coming night when the place puts on their ritzy nights of heavy and rare house tracks. Find out details on any london club with Time Out London.

Egg club is an additional prime club. This club extends over three stories & is doubtless one of the city’s most prominent locations. This location is additionally well known for having many of the finest gay shows in the city and consistently sucks in certain of the most stylish individuals.

Pacha is a shamelessly showy substitute to the capital’s gritty club scene, a shower of chandeliers, glitterballs & lavishly dressed straight and camp night clubbers. The place intended to bring about the Ibiza experience in our capital city. Access is nothing before 10 p.m. & although the drinks are pricey, if you’re seeking a good evening out in London with no expenses spared then this place is probably the spot you want to visit.

The Underworld club is located in Camden, London. There is an ample dance floor and places to relax in. It’s very unembellished, all the same, if you are not loaded then it might be ideal. If you go on a band evening then the scene is electric. Definitely you can be amazed. There’s a mixed bag rabble of people of the mixed age groups and there’s a terrific mix of tracks in the night so you will discover something for everybody.

AC/DC

February 25th, 2008

AC/DC - THE BOYS FROM DOWNUNDER
SOCIALLY MALADJUSTED
STEP INTO LEGEND
BAND OF BROTHERS
CAN’T HOLD ME BACK
FOR THOSE ABOUT TO ROCK
PLAY TIME TUNES
VELVET UNDERGROUND
SCHOOLBOY
CAN’T STAND STILL
THE KING
WHAT WOULD OUR FANS THINK?

AC/DC - THE BOYS FROM DOWNUNDER

Many can argue that Australian rock band, AC/DC is one of the world’s greatest. Their raw, simple and spacious sound is deemed as a backlash to the lumbering stadium rock of the 1970’s. It was this down and dirty ethic that solidified themselves with their fans as being deeply grounded men of the people and for that the world embraced them as one of their own.

SOCIALLY MALADJUSTED

Lead singer, Bon Scott helped cement the band’s image as a group of brutes by having several convictions of minor criminal charges and by being rejected by the Australian Army when he was deemed, “socially maladjusted”.

STEP INTO LEGEND

Their 1980 album, “Back in Black” is one of the defining albums of rock n roll. Despite its undeniable success, it was difficult for the band. Lead singer, Bon Scott, died tragically shortly before recording on the album was set to start. In an 11th hour replacement, Brian Johnson joined to front the band, recording the album a month later. What emerged was rock history. Fans flocked to the album like none other the band had released. It broke many sales records and supported the band’s sold out global tour.

BAND OF BROTHERS

George Young returns to run the boards with his brothers, Angus and Malcolm. George last joined his brothers with 1978 classic, “Powerage”. “Malcolm and I were sitting around going over possible producers one day”, chimes Angus. “We started talking about records and stuff and the idea of using George again just snapped into our heads at the same time. Obviously he knows what AC/DC is all about. For us there has always been that subtle blues element in what we do. All good rock has that foundation of the blues in it somewhere.”

CAN’T HOLD ME BACK

Angus announces the fanfare, “It was fun to make this record. We never like to be under pressure, and no band should make an album like it’s some sort of a chore. George likes to capture the character of the people in the studio and I think we did that. He doesn’t care so much about what’s technologically correct, as long as it sounds like AC/DC.”

FOR THOSE ABOUT TO ROCK

“We know who we are. We trust each other and rely on that. A lot of music you hear starts getting that fast food mentality, just put it out. We’ve never been about that.”

PLAY TIME TUNES

Brian’s enthusiasm was apparent during the new recording, “When the boys first played me that riff I just started going off in what I like to call my ‘Satchmo’ voice. I was like ‘is this too much?’ But the boys were ‘no, no that’s perfect.’ We had such a great vibe making this record. I think all the brothers had such simpatico going with the guitar exchanges and riffs - the whole thing was just a refreshing ball.”

VELVET UNDERGROUND

Guitarist Malcolm Young formed AC/DC after his band, The Velvet Underground subsided. Don’t get confused though, his Velvet Underground had no relation to the legendary American band with the same name.

SCHOOLBOY

One of the many things that has made AC/DC stand out in the world of rock is Angus Young’s trademark schoolboy attire. You can alter your attire to pay homage to this great band with one of their t-shirts from http://www.t-shirtking.com

CAN’T STAND STILL

Their new song, “Can’t Stand Still” epitomizes what AC/DC style rock n roll is all about. “I love that one,” says Brian. “When I listen to that song it reminds me of everything that’s fun and alive about rock n’ roll. I sang it through in one take and if you listen at the end you can even hear the boys applauding. That’s the kind of atmosphere we had throughout the making of this album.”

THE KING

Horror master Stephen King is big AC/DC advocate, his film, “Maximum Overdrive” featured an AC/DC soundtrack

WHAT WOULD OUR FANS THINK?

One of the key points of their success is that their audience kind readily to relate with AC/DC. “We always stop and say ‘what would our fans think?’” says Angus. “Sometimes it’s like we’re on a first name basis with ‘em. We’ve learned never to pay too much attention to the trends, or to what the experts are telling you is the next big thing. Our fans know what to expect from us. And that’s how we approach making a record. I always say sometimes it’s the guy digging the ditch that can tell you more about building the road then all the engineers put together.”

To read more articles by Chad, visit the American Pop Culture Encyclopedia at: American Pop Culture Encyclopedia.

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